Showing posts with label Belly of the Whale. Show all posts
Showing posts with label Belly of the Whale. Show all posts

Wednesday, November 21, 2012

3rd Degree Burns: Belly of the Whale

3 Degrees of Fire


3rd Day of 42 Days Out at Sea

           Third degree burns are a severe injury to human flesh.  Jypsy (Friend of mine who is a Marine Engineer) is now suffering the shift immensely. He has been out in the Pacific Ocean for three days.  He had to change the fuel/oil from California regulation fuel to the international standard fuel.  This means he had to work for three days straight probably without a lot of sleep.  They will stop in Dutch Harbor, Alaska and on to Korea or Japan.  


 It might not be like 3rd degree burns, but descending into the Belly of the Whale is a drastic part of the hero's separation stage.  The hero must separate from all that he knows and understands.  He is moving into the world of the unknown.  The hero out at sea must leave behind the luxury of land, and become part of the ship's personality.  He literally is the first in charge of the belly, where all fuel and juices are digested.  He is Jonah swallowed by the whale.  The Jypsy is in a human made whale.  He becomes dirty with the juices of the beast.  He is a knower of the inside of this grand machine.


As a land bound creature, three days is an eternity.  I cannot imagine another 38 days.  It is as if he has died.  I do not have one single kind of indication that he is alive or how he is doing.  Yet it is a death, both for him and I. How many of us understand the metaphorical death of the self.  It is not easy either way.  Real death or death of the ego is severe and no less than a 3rd degree burn.


I don't want to sound excited about death.  Shifting worlds is what I think death is.  So as the hero experiences his journey, he must understand his own nature.  It is not easy to look at yourself, measure and maybe let the ego go or deal with the attachment of the other.   The attachment to land and its glittering qualities is very distracting.  This western culture is a vast and overwhelming overload to the senses.  It pushes us to be false and superficial.  The hero shifting out to another micro world who is cut off from a massive amount of stimulation can feel like  he is dying. Thus the descent of the hero into the Belly of the Beast or the ground of being can be dangerous if he is not understanding the nature of his travels.  How many of us travel to our own metaphorical belly's the dark recesses of our own digested and not-digested issues.  We have the conscious and unconscious self.  Going down deep within our own un-examined places is going into the unconscious. This is the place where all things are held and sometimes let loose into our conscious realm, as neurotic and or compulsive tendencies.  If we don't travel into our own "belly" where our beasts dwell they will have their way with us.  The journey is hard, but it a good death.  When we face our demons and kill them we gain their power, but it will become integrated with our conscious self.  



"The disappearance corresponds to the passing of a worshiper into a temple—where he is to be quickened by the recollection of who and what he is, namely dust and ashes unless immortal. The temple interior, the belly of the whale, and the heavenly land beyond, above, and below the confines of the world, are one and the same. That is why the approaches and entrances to temples are flanked and defended by colossal gargoyles: dragons, lions, devil-slayers with drawn swords, resentful dwarfs, winged bulls. These are the threshold guardians to ward away all incapable of encountering the higher silences within."  (http://biblioklept.org/2012/07/08/the-belly-of-the-whale-joseph-campbell/)


Jypsy may not be aware of the unconscious journey.   He simply goes to work, yet it requires a lot of serious attention. If this cycle of separation, initiation and return could be included in the modern path, then I think we would be a lot happier.  Since we get bogged down from the everyday-emptiness it becomes hard to fathom that we would be on some kind of epic journey like the heroes of old.  Yet we are essentially psychological-spiritual beings.  If we deny this aspect of our existence and wait for science to explain away the mystery we shall never really understand anything.  The mystery permeates our journey in the form of our own unknown desires and imagination.  The symbols of our faith or culture are suppose to guide us onward and help us identify our deep dark unconscious well of being with our bright conscious expectations and experiences.  If these two parts of each human are not united then they are always at odds.  Some of us are lucky to have a job that mimics the stories and myths of old, thus they have the old symbols to help the hero be balanced.  

Monday, November 19, 2012

First Degree of Separation: Shifting the Fire





 "The mythological hero, setting forth from his common day hut or castle, is lured, carried away, or else voluntarily proceeds, to the threshold of adventure.  There he encounters a shadow presence that guards that passage.  The hero may defeat or conciliate this power and go alive into the kingdom of the dark (brother-battle, dragon-battle; offering, charm), or be slain by the opponent and descend in death (dismemberment, crucifixion).  Beyond the threshold, then, the hero journeys through a world of unfamiliar yet strangely intimate forces, some of which severely threaten him (tests), some of which give magical aid (helpers).
                                                               - Joseph Campbell, Hero with a Thousand Faces




1st Degree of Separation- Shifting the Fire 
Day 1 of the 42 Days out at Sea

I am not sure how many degrees of separation the hero of this tale is experiencing right now, but it is significant.  The hero of this tale is on his way to Dutch Harbor, Alaska traveling on the APL- Philippines Cargo Vessel.  He is the first engineer, a sailor and wander in the first degree of fire. If passion exist then he has it.  If spirit exists he has this also.    

Joseph Campbell explains that the first stage of the Hero's journey is separation, but there are stages within stages.
  • The Call to Adventure
  • Supernatural Aid--protective figure supplies amulet (or whatever)
  • The Crossing of the First Threshold--encounter with guardian/monster
  • The Belly of the Whale--womb-image/self-annihilation

  Does the modern merchant marine experience these stages?  I would say yes.  Now my particular hero is a bit different than your permanent career first engineer.  He does not have a particular ship that he has a permanent position on.  This allows him to have his own schedule and to pursue his other hobbies and interests.  This particular hero is also known as the Jypsy for this reason.  He might be the ultimate shifter between worlds.  I have to be honest and say this makes him much more attractive, because he dictates his own destiny, and is able to withstand the unknown even more than your average 9 to 5 suit. 

The Call in most literature and movies revolves around some mysterious problem or call to adventure. It is the move from the known world to the unknown.  It is a psychological shift of going beyond your normal routine. My muse has to pay the bills, but I think his inner desire for intensity and adventure prompts him to go out to sea in probably one of the most intense and difficult jobs on the planet.  As a first engineer he is responsible for an engine room that is the size of two 2000 sq. foot houses including the backyard and front yard.  With Crossing of the First Threshold, he deals with a monster engine of 40,000 horse power. It hums and spits out oil and other juices.  Sometimes breaking down or acting up with a storm comes or when maneuvering in and out of ports.  Within the first five days out at sea he must do an oil change because of California fuel regulation.  That means every time you port in a California, he must shift the oil without spilling it in the ocean.  Spilling oil in the ocean is federal crime and he will be arrested.  He assures me that this is an ongoing worry of his.  For example, he explains that one time somewhere on the ship he heard the word spill over the radio.  He proceeded to freak out and shut down everything in the engine room, especially the emergency shut off line.  He had to investigate the source of the spill fearing the worst.  He finally found the guy who was talking on the radio.  One of the crew had knocked over a bucket on board that had spilled something.  I don't think it was even oil.  The coast guard had heard the radio transmission also and decided to do a fly by of this vessel.  It is a very intense environment.  

The Belly of the Whale is the last part of the separation stage, as most sailors finally let go of land.  That is they finally submit to the ship world, and remain in her belly for the duration of the journey.  They begin to have that ship-secluded existence.  They become more introvert, non communicative.  They are an intense heightened state, a surreal world that is foreign yet familiar.  Whoever they were on land matters no more out at sea.  The ship is everything.  Their identification his only as the engineer that will fix or break the monster.  The ship essentially swallows them, and for us back at home, it is as if they have died.  American ships especially do not help in this regard.  There is no communication and so hero feels that they have been kidnapped.  Family does not know one single event until 42 days later when the hero returns and can explain their life.

The Jypsy hero has been a Marine Engineer for six years or more.  With so many journeys he has attained supernatural aid in the form of intuition and practice.  Although he would deny any supernatural forces helping him in these very intense moments, I do believe they are there.  Now this is my bias not his.  

 Sing in me, Muse, and through me tell the story
of that man skilled in all ways of contending,
the wanderer, harried for years on end,
after he plundered the stronghold
on the proud height of Troy.
                                           He saw the townlands
and learned the minds of many distant men,
and weathered many bitter nights and days
in his deep heart at sea, while he fought only
to save his life, to bring his shipmates home.

                          
                                       The Odyssey